The feature debut of Brian De Palma protege Mark Rosman, this sporadically interesting slasher film is better directed than most. Opening with a precredit sequence wherein a horribly deformed, mentally defective baby is born to a woman who has used a fertility drug, the film then shoots
forward 20 years. The mother (Kelsa Hunt) has turned her home into a college sorority house, and her mutant son is, of course, locked in the attic and just waiting for a chance to get loose so that he can kill the nubile sorority girls one at a time. His opportunity comes when the mischievous
girls accidentally bring about his mother's death as part of a prank. Although director Ros...