See Maitland McDonagh and Ken Fox review this weeks new flicks in Movie TalkSend your movie questions to FlickChickMathematicians live in a black and white world of absolutes and infinitely reproducible results while mystics deal in ambiguity and magical thinking and never the twain shall meet Except of course when math becomes so theoretical that the two melt into one mind-blowing mass of golden proportions and lucky numbers Nearly 10 years before Jim Carrey got tangled up in The Number 23 this weeks DVD Tuesday pick pitched camp on the numerical border between razors-edge rationality and complete lunacy Darren Aronofskys super-low budget Pi 1998 was a knockout debut and if he hasnt yet delivered on its promise Requiem for a Dream 2000 is a highfalutin Just Say No PSA with style to burn and The Fountain 2006 is a flat-out mess the film itself looks better than ever Mathematician Max Cohen Sean Gullette specializes in number patterns the bigger the b
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Question: Lost, Lost, Lost. Anything Lost, please!
Answer: You've come to the right place, Carrie. Back by popular demand, this week's Ask Ausiello is essentially one big Lostapalooza, starring executive producers Damon Lindelof and Carlton Cuse. Not only is the duo answering all of our burning Season 2 questions, but they're also offering up tantalizing clues and spoilers about the final four episodes. Or, I should say, three. Conspicuously missing from the following Q&A is any discussion of tonight's explosive May-sweeps kickoff. For the dirt on that, you'll have to check out my Ausiello Report blog immediately following tonight's telecast. Trust me when I say you don't want to miss
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Lost is getting a shot of indie cred. Entertainment Weekly reports that cult director Darren Aronofsky (Requiem for a Dream, Pi) has signed on to helm a May-sweeps episode of the ABC hit. "It was one of those fantastic calls out of the blue," says Lost exec producer Carlton Cuse. "His agents let us know he liked the show, and we jumped at the opportunity." In related news, I see a major relapse in Charlie's future. (If you haven't seen Requiem, that joke will make absolutely no sense. But take my word for it — it's funny.)
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