A tough cop meets his match when he has to guard a gangster's moll on a tense train ride in one of the best film noirs The Narrow Margin (1952). watch
Behind the Scenes on the making of the film noir thriller The Narrow Margin (1952) starring Marie Windsor. watch
Contrary to popular cliches, a film noir doesn't have to be in set on the mean, rain-slicked backstreets of a cramped, malevolent city, nor does it even have to be in black-and-white ("noir" is really a world-view than a palette). And although purists may argue otherwise, a movie need not have been produced during the tumultuous years of WWII and its immediate aftermath to be considered a true "noir." Case in point: Richard Fleischer's Violent Saturday, a brightly colored, black-hearted look at crime and the American character from 1955 that's just now being re-released in a sparkling new 35mm print. This rarely seen pulp masterpiece was not only shot in blazing DeLuxe Color and ultra-wide CinemaScope, it's set in a seemingly idyllic desert mining town, and most of it unfolds in bright, broad daylight -- the better to see the corruption festering just below the happy surface. Noir? You bet.The Yale-educated Fleischer -- son of the maverick animator Max Fleischer -- kept busy right t...read more