Matt Damon in The Bourne Supremacy courtesy Universal Pictures
Question Much has been made about Paul Greengrass handheld-camera work in The Bourne Ultimatum and the fact that both Supremacy and Ultimatum have been hits makes me certain that filmmakers will keep doing it But I cant be the only person who gets nauseous watching these films The incessant movement is difficult to watch Rarely does the camera stop long enough for the viewer to process a shot even the quietest moments cant be still Matt Damon is great and Id like to say I enjoyed the movies but when I have to go home and take something for headache and nausea that cant be good Am I alone in this DarylFlickChick Youre far from alone some critics and a lot of moviegoers have complained about the restless shaky handheld-camera work and superfast editing in The Bourne Ultimatum 2007 in particular and movies in general Filmmakers generally use restless jittery camera work to establish a you-are-there atmosphere sometimes its meant to look as thoug
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Lee Pace in Pushing Daisies by Bob D'Amico/ABC
Could the third time be the charm? Being an eternal optimist when it comes to TV shows I love, I certainly hope so. For the third season in a row, the show I’ve picked as my favorite pilot of the fall season is on ABC, and once again, after two consecutive seasons of my pick failing to make the grade, this show’s projected success is far from a slam dunk. But let me tell you why I believe, despite all logical skepticism to the contrary, that the dazzling “forensic fairy tale” called Pushing Daisies has a shot at making it.First, here’s why my earlier picks didn’t pan out. For one thing, both shows — Invasion in 2005, The Nine in 2006 — had the mixed fortune of being scheduled directly after Lost. (As we’ve learned, the Lost viewing experience is so intense and its fan base so obsessed that it’s pure folly to put any show, especially a demanding one, after Lost.) Both shows were also exceedingly dark in tone, whereas Pushing Daisies...
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