Marti Noxon, Heather Morris
There are many reasons the Internet exploded when it was announced in June that Buffy the Vampire Slayer executive producer and fanboy favorite Marti Noxon had joined the writing staff of Glee: She has plenty of cult cred, thanks to her days working alongside Joss Whedon, but her resume is also littered with top dramas including Mad Men, Private Practice, Grey's Anatomy and Brothers & Sisters.
"Geeks and musical nerds are all the same people," she says. "There were only so many places to hide in high school: One was the A/V club and the other was the drama club. In Glee, the two meet so beautifully."
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Marti Noxon, Heather Morris
There are many reasons the Internet exploded when it was announced in June that Buffy the Vampire Slayer executive producer and fanboy favorite Marti Noxon had joined the writing staff of Glee: She has plenty of cult cred, thanks to her days working alongside Joss Whedon, but her resume is also littered with top dramas including Mad Men, Private Practice, Grey's Anatomy and Brothers & Sisters.
"Geeks and musical nerds are all the same people," she says. "There were only so many places to hide in high school: One was the A/V club and the other was the drama club. In Glee, the two meet so beautifully."
Glee adds 6 to writing staff
We caught up with Noxon Saturday at Comic-Con, where she was promoting the upcoming remake of Fright Night, to talk about what she'll be doing on Glee — and how the Fox musical might allow her to deal with some unfinished Willow-Tara business...
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Now Fear This!
Ah... my favorite time of year... the leaves are turning, Halloween plans churning, and Masters of Horror Season 2 is off to a screaming premiere tomorrow night [10PM ET/PT on Showtime]. As I weave my dark tvguide.com web here for the new season, I wanted to give Season 1 a short "re-capitation," and take us all through Season 2 "ghoul school."The Premise and The ExtremeMasters of Horror began as a dinner conversation among acclaimed horror directors, which soon became TV history-in-the-making. Director Mick Garris became the series Creator and Executive Producer, and his vision was to allow the "chosen 13" directors as much creative freedom possible. Showtime was up for this premise, and without MPAA intervention, 13 seriously extreme 1-hour horror films found a home on cable TV.And Then There Were 12The horror and cult community eagerly anticipated the 13th and final episode, directed by Japan's legendary Takashi Miike [Audition; Ichi the Killer]. However, finding it way too extre...
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