A rare example of a film that succeeds superbly both as a swashbuckler and as historical drama. Michael Ingolby (Olivier) is a young British naval officer whose father is burned to death for heresy by the Spanish Inquisition. He seeks revenge and finds his opportunity in the court of the
tempestuous Queen Elizabeth I (a scene-stealing Robson). Elizabeth knows she is surrounded by traitors in league with her archenemy, Philip of Spain (Massey), who plans to invade England. Thus, when Michael offers to infiltrate Philip's court and learn the details of the invasion, Elizabeth seizes
the chance. The queen is also romantically inclined toward the handsome officer, and vexed at the attentions he shows his childhood sweetheart who is her lady-in-waiting, Cynthia (Leigh). Michael soon learns of Philip's plans, escapes to England and helps lead the British ships into battle against
the Spanish Armada.
A bit slow getting started, and typically glossy in its treatment of details (e.g. the softening of Elizabeth's character), FIRE OVER ENGLAND nevertheless conveys a certain historical grandeur amidst all the showmanship. It succeeds through the combined talents of many great names: Alexander
Korda's sponsorship, Pommer's production, Howard's masterful direction, Wong Howe's superb photography, Meerson's grand sets, and the acting of Olivier, Robson and Leigh. A host of versatile supporting players add to the depth of FIRE OVER ENGLAND, not the least of whom are Banks, Selten, and
Massey (as the darkly brooding, expansionist King Philip). Look for a bearded James Mason in a small role as an envoy. leave a comment