Monday, Feb. 4, at 2:45 pm/ETGimme Shelter | SUND It's been said that the '60s came to a crashing halt at California's Altamont Speedway where, in 1969, the Rolling Stones at their most satanic played "Sympathy for the Devil" while the Hell's Angels rampaged and a young man died. You'll get no argument from me: This classic concert film from the Maysles brothers captures the dark twilight of the Age of Aquarius.Tuesday, Feb. 5, 8 and 9:45 pmEnter the Dragon | AMC Bruce Lee is a legend for a reason, and even if you don't think you like "chop-socky" flicks, you need to check this one out. Lee stars as a martial-arts expert who enters a contest held in a remote island fortress, a setup that's been copied endless times ever since. This was Lee's last completed film before his untimely death in 1973, and he's spectacular.Wednesday, Feb. 6, 8 pmVertigo | TCMI still personally prefer Notorious and Shadow of a Doubt, but I certainly won't throw down with anyone who contends that this dark a...
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The Farrelly Brothers, the Jackass boys, every contestant who's ever eaten an insect on Fear Factor... they all owe a huge debt to the schlockmeister who pioneered hard-to-stomach, in-your-face entertainment: Baltimore-based auteur/author/actor John Waters. Originally known as the director of campy, lowbrow flicks punctuated by gross-out gags (e.g., plus-size drag queen Divine eating authentic dog poop in 1972's Pink Flamingos), the 60-year-old moviemaker has enjoyed a more mellow image in recent years, thanks to a st
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Before he played charming oddballs in Charlie and the Chocolate Factory and Edward Scissorhands and, well, insert most of his acting résumé here, Johnny Depp was your garden-variety teen idol on Fox's 21 Jump Street. Back in 1990, cult film director John Waters gave Depp his big-screen break — and a chance to send up his Tiger Beat image — in Cry-Baby. And since the Cry-Baby Director's Cut DVD is out today, TVGuide.com has a chance to touch base with Waters, for some "I knew Depp when" reminiscing and chatter about the rest of his freaky film exploits.
TVGuide.com: Cry-Baby was perhaps the most mainstream or "ready for prime time," of all your many wacky movies.John Waters: I disagree. Pecker is probably my nicest movie. Just 'cause Cry-Baby is a musical, people forget that I have a very dysfunctional, disturbed family in it. I have an ingenue who drinks her own tears becaus
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