"What's with all the carnage lately?" a viewer e-mailed me recently. He has a point. The body count on TV this season has been unusually high.
For some, these tragic twists seem like cheap stunts, a real turn-off. For me, they're a reason to tune in. Not because I'm blood thirsty. But on shows where the stakes are high — shows like 24, Lost, The Shield, The Sopranos, even a fantasy like Smallville — I expect to be taken out of my comfort zone into a world where bad things can happen at any time to characters we care about.
Facing mortality is essential to any morality play. When Shannon was fatally shot by Ana Lucia on Lost, it cast a pall of suspicion and grief over the merging of the survivors. When Smallville's Clark Kent lost his beloved father figure Jonathan to a heart attack, it was a necessary rite of passage for this superhero-in-the-making.
Nowhere has the death rate been higher than on 24
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