Question:
I am so glad to hear that Everwood creator Greg Berlanti is now collaborating with the writing team for Brothers & Sisters. This show has been a big question mark for me (along with Six Degrees), but I have been looking forward to trying it out. It has a great cast, appealing promos and now a fantastic writer! Do you think Berlanti's involvement has the potential to make this my Everwood semireplacement?
Answer: The news that Berlanti is giving Brothers a creative hand is one of the few positive headlines I've heard lately. I'm still not sure a show like this can fill the Everwood void, though. Also on the Brothers & Sisters front, Ryan wonders: "I heard a rumor they are reshooting the pilot of Brothers & Sisters without Dan Futterman! Say it ain't so! He had great chemistry with Calista Flockhart in The Birdcage, and in the scene available on the Web from the original pilot. I was ecstatic when he returned to Judging Amy in 2004 and saddened that it was the show's final
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Question: It seems that many critics are not happy with the Academy for failing to recognize Brokeback Mountain as the right film at the right time. What are some other famous snubs that the Academy is still embarrassed about? Thanks.
Answer: I personally think the Academy is shameless, and I've never ever heard — nor do I think I ever will — an official spokesperson concede that its membership made a big fat mistake giving the best-picture Oscar to one film rather than another. But I think there's a pretty overwhelming consensus among everyone else who cares that calling Ordinary People — a genuinely good movie, I hasten to add — the best motion picture of 1980 when it was up against Martin Scorsese's Raging Bull, which is widely con
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While favorites Reese Witherspoon (Walk the Line) and Philip Seymour Hoffman (Capote) walked away with the top acting honors at Sunday's Oscars, Crash pulled an upset by lassoing the best-picture trophy away from Brokeback Mountain. In the supporting slots, Rachel Weisz (The Constant Gardener) and the never-fails-to-impress George Clooney (Syriana) grabbed gold. One of the night's other surprises came when rap group Three 6 Mafia's raucous "It's Hard Out Here for a Pimp" (from Hustle & Flow) merited the Academy Award for best song. (A complete list of winners can be found here.) Me, I couldn't help but be fixated on Keira Knightley's seeming inability to crack a smile for Jon Stewart. Geez, loosen up, girl.
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Joan & Melissa LIVE at the Academy Awards5:30: I'm so glad my colleagues over at the channel have decided to go blue for the red carpet. Setting the tone for the evening, Joan Rivers begins with a slightly disturbing scene in which she spreads 'em for Matt Dillon in Crash and groans a lot. And she warns us that there are many more such scenes from the nominated movies to come. Next she gives a nod to Isaac Mizrahi's infamously presumptuous Golden Globes coverage at rival E!. "I would never be so presumptuous!" she declares while she pokes Lisa Rinna in the boob. Instead of groping her interviewees, she'll be using cards to indicate whether they are wearing underwear and/or have real breasts. This'll be interesting.
5:33: Joan gives her own thank-you speech tailor-made to offend her entire crew: "We are color-blind here at TV Guide. Right, black person?" Then she fills the time
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Nominations for the 78th-annual Academy Awards were announced Tuesday morning, and leading the herd was — yep — Brokeback Mountain, lassoing eight nods, including best picture, best director, and acting bids for Heath Ledger (in the lead category), Jake Gyllenhaal (supporting) and Michelle Williams. Challenging the cowboy romance for best-pic honors are Capote, Crash, Munich and Good Night, and Good Luck. The lead-actor race pits Ledger against SAG-Golden Globe winner Philip Seymour Hoffman (Capote), Globe winner Joaquin Phoenix (Walk the Line), Terrence Howard (Hustle & Flow) and David Strathairn (Good Night), while the lead-actress contenders are SAG-Globe winner Reese Witherspoon (Walk the Line), Globe winner Felicity Huffman (Tran
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