Bad Guy

2001, Movie, NR, 100 mins

BAD GUY
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Not long after ferociously talented South Korean director Kim Ki-Duk induced vomiting in festivalgoers with THE ISLE (2000), but before becoming a critic's darling with the gentler SPRING, SUMMER, FALL, WINTER... AND SPRING (2003), Kim crafted this unusual love story between a mute, lovesick thug and the virginal young woman he shanghais into prostitution. While not quite a dose of cinematic ipecac, it most definitely requires an open mind. The life of 21-year-old college student Kim Sun-Hwa (Seo Won) takes an unforeseen detour the day she's approached in a Seoul park by Han-Gi (Cho Je-Hyun), a hardboiled pimp with a nasty scar across his throat. Transfixed by Sun-Hwa's chaste beauty, Han-Gi assaults her with a long, hard kiss on the mouth. Sun-Hwa's boyfriend and a group of passing soldiers manage to fight him off, but Han-Gi isn't done. A few days later, one of his goons (Kim Yun-Tae) follows Sun-Hwa into a bookstore and plants a wallet full of cash where she's sure to find it. Unable to resist temptation, Sun-Hwa pockets the money and is immediately chased down by the wallet's "owner," who claims she's robbed him of $10,000. He threatens to call the police and forces Sun-Hwa to sign for a loan using the only collateral she has — her body. If she doesn't come up with the payment in seven days, she'll have to leave her old life behind and go to work for Han-Gi. A week later, virtuous Sun-Hwa is a virtual prisoner in one of the storefront bordellos that line the city's tawdry red-light district. She at first refuses to solicit johns and even convinces Han-Gi's other sidekick, Myung-Soo (Choi Duk-Moon), to help her escape. But the plan fails and the by-now fully degraded Sun-Hwa has begun to accept her fate, still unaware that Han-Gi secretly watches her every move from behind the two-way mirror in her room. He's more than just a voyeur: He's fallen desperately in love. It's a scenario right out of Sade, but with one crucial difference that will probably make this film unacceptable to most audiences: It's meant to be a romance and, for better or worse, it is. Even more problematic, Han-Gi and his goons treat one another with a sense of honor and affection that render them close to heroic, and the undeniably powerful bond that ties Sun-Hwa to her captor can't be explained away by simple-minded psychologizing. Beautifully shot and lushly scored, this may be one of the least P.C. love stories ever filmed. But it's one of the most deeply felt. leave a comment --Ken Fox
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